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![]() Monogram Pictures - Wikipedia. Monogram Pictures. Wholly owned subsidiary of Allied Artists International. Industry. Entertainment. Founded. Southern California (1. Pride And Prejudice And Zombies; Dennis Viollet - OURSCREEN; 10 Cloverfield Lane; The Exorcist - Directors Cut; The Wicker Man; Branagh Theatre Live: The. Monogram Pictures Corporation is a Hollywood studio that produced and released films, mostly on low budgets, between 19, when the firm completed a. Tupelo Commons Cinema Tupelo, MS 38804: Now Showing: CINEMA INFORMATION: Tupelo Commons Cinema 3088 Tupelo Commons Ave. Tupelo, MS 38804 PH: 662-243-0800. Allied Artists Pictures Corporation (1. Founders. W. Ray Johnston. Trem Carr. Headquarters. Los Angeles, California & New York City, New York. Key people. Kim Richards, Chairman and CEO, Robert Fitzpatrick, President. Products. Motion Pictures, Television Production, Music, Music Publishing, Entertainment, Television Syndication, Online games, Mobile Entertainment, Video on demand, Digital distribution. Parent. Allied Artists International. Websitemonogrampictures. Monogram Pictures Corporation is a Hollywood studio that produced and released films, mostly on low budgets, between 1. Allied Artists Pictures Corporation. Monogram was among the smaller studios in the golden age of Hollywood, generally referred to collectively as Poverty Row. The idea behind the studio was that when the Monogram logo appeared on the screen, everyone knew they were in for action and adventure. The company is now a division of Allied Artists International. Ray Johnston's Rayart Productions (renamed . Both specialized in low- budget features and, as Monogram Pictures, continued that policy until 1. Carr in charge of production. Another independent producer, Paul Malvern, released his Lone Star western productions (starring John Wayne) through Monogram. The backbone of the studio in those early days was a father- and- son combination: writer/director Robert N. Bradbury and cowboy actor Bob Steele (born Robert A. Bradbury) were on their roster. Bradbury wrote almost all, and directed many, of the early Monogram and Lone Star westerns. While budgets and production values were lean, Monogram offered a balanced program, including action melodramas, classics and mysteries. In 1. 93. 5 Johnston and Carr were wooed by Herbert Yates of Consolidated Film Industries; Yates planned to merge Monogram with several other smaller independent companies to form Republic Pictures. However, after a short time in this new venture, they discovered that they couldn't get along with Herbert Yates, and they left. Carr moved to Universal Pictures, while Johnston reactivated Monogram in 1. Revival and creation of Allied Artists Productions. He convinced Broidy that the days of low- budget films were ending, and in 1. Monogram created a new unit, Allied Artists Productions, to make costlier films. At a time when the average Hollywood picture cost about $8. Monogram picture cost about $9. Allied Artists' first release, It Happened on Fifth Avenue (1. Mirisch's prediction about the end of the low- budget film had come true thanks to television, and in September 1. Monogram announced that henceforth it would only produce films bearing the Allied Artists name. The Monogram brand name was finally retired in 1. The company was now known as Allied Artists Pictures Corporation. Allied Artists did retain a few vestiges of its Monogram identity, continuing its popular Stanley Clements action series (through 1. B- Westerns (through 1. Bomba, the Jungle Boy adventures (through 1. Johnny Sheffield, . For the most part, however, Allied Artists was heading in new, ambitious directions under Mirisch. It released the first Cinecolor science fiction film Flight to Mars, then its greatest artistic success a low- budget film firmly in the Monogram tradition, Don Siegel's Invasion of the Body Snatchers, released by Allied in 1. For a time in the mid- 1. Mirisch family held great influence at Allied Artists, with Walter as executive producer, his brother Harold as head for sales Allied Artists, and brother Marvin as assistant treasurer. They pushed the studio into big- budget filmmaking, signing contracts with William Wyler, John Huston, Billy Wilder and Gary Cooper. However, when their first big- name productions, Wyler's Friendly Persuasion which was nominated for 6 Academy Awards including Best Picture and Wilder's Love in the Afternoon were box- office flops in 1. Mirisch Productions then had success releasing their films through United Artists. Allied Artists ceased production in 1. Cabaret and followed it the next year with Papillon. Both were critical and commercial successes, but high production and financing costs meant they were not big moneymakers for Allied Artists. Allied Artists raised financing for their adaptation of The Man Who Would Be King by selling the European distribution rights to Columbia Pictures and the rest of the backing came from Canadian tax shelters. That same year it distributed the French import Story of O, but spent much of its earnings defending itself from obscenity charges. The new Allied Artists Industries, Inc. The company lasted until 1. The post- 1. 94. 7 Monogram/Allied Artists library was bought by television production company Lorimar; today a majority of this library belongs to Warner Bros. UA merged with Metro- Goldwyn- Mayer in 1. The pre- 1. 93. 6 Monogram library became incorporated into that of Republic, today a part of Viacom- owned Paramount Pictures. Allied Artists has recently renewed the Monogram Pictures trademarks and announced new productions under the Monogram banner. Sunset Boulevard in Hollywood, on a 4. The longtime home (since 1. PBS television station KCET. Tom Mix had used the . Ernie Hickson became the owner in 1. A year later Monogram Pictures signed a long- term lease with Hickson for . Actor/cowboy singer/producer Gene Autry purchased the Monogram Ranch property from the Hickson heirs in 1. Melody Ranch. Frankie Darro, Hollywood's foremost tough- kid actor of the 1. Monogram and stayed with the company until 1. Comedian Mantan Moreland co- starred in many of the Darros and continued to be a valuable asset to Monogram through 1. Juvenile actors Marcia Mae Jones and Jackie Moran carried a series of homespun romances. Crime themes dominated the roster at Monogram in the late thirties and early forties. For example, the very forgettable though endearing Riot Squad (1. Richard Cromwell as a doctor working covertly for the police department to catch the mobsters before his girlfriend Rita Quigley breaks their engagement. Boris Karloff brought a touch of class to the Monogram release schedule with his . This prompted producer Sam Katzman to engage Bela Lugosi for a follow- up series of Monogram thrillers. Katzman hit the bull's- eye with his street- gang series The East Side Kids, which ran from 1. East Side star Leo Gorcey then took the reins himself and transformed the series into The Bowery Boys, which became the longest- running feature- film comedy series in movie history (4. During this run, Gorcey became the highest paid actor in Hollywood on an annual basis. The studio released sagebrush sagas with Bill Cody, Bob Steele, John Wayne, Tom Keene, Tim Mc. Coy, Tex Ritter, and Jack Randall before hitting on the . Buck Jones, Tim Mc. Coy, and Raymond Hatton became The Rough Riders; Ray (Crash) Corrigan, John 'Dusty' King, and Max Terhune were The Range Busters, and Ken Maynard, Hoot Gibson, and Bob Steele teamed as The Trail Blazers. When Universal Pictures allowed Johnny Mack Brown's contract to lapse, Monogram grabbed him and kept him busy through 1. The studio was a launching pad for stars of the future (Preston Foster in Sensation Hunters, Randolph Scott in Broken Dreams, Ginger Rogers in The Thirteenth Guest, Lionel Atwill in The Sphinx, Alan Ladd in Her First Romance, Robert Mitchum in When Strangers Marry. The studio was also a haven for established stars whose careers had stalled: Edmund Lowe in Klondike Fury, John Boles in Road to Happiness, Ricardo Cortez in I Killed That Man, Simone Simon in Johnny Doesn't Live Here Anymore, Kay Francis and Bruce Cabot in Divorce. Monogram did create and nurture its own stars. Gale Storm began her career at RKO Radio Pictures in 1. Monogram. Storm had been promoted from Monogram's Frankie Darro series and was showcased in crime dramas (like Cosmo Jones, Crime Smasher (1. Richard Cromwell and radio's Frank Graham in the title role) and a string of musicals to capitalize on her singing talents (like Campus Rhythm and Nearly Eighteen, both 1. Another of Monogram's finds during this time was British skating star Belita, who conversely starred in musical revues first and then graduated to dramatic roles, including Suspense (1. A- budget King Brothers Productions picture released under the Monogram name. Series films and success. Definite hits were Charlie Chan (which Monogram picked up after the series had been dropped by Twentieth Century Fox), The Cisco Kid, and Joe Palooka, all proven movie properties abandoned by other studios and revived by Monogram. Less successful were the comic- strip exploits of Snuffy Smith, the mysterious adventures of The Shadow, and Sam Katzman's comedy series co- starring Billy Gilbert, Shemp Howard, and Maxie Rosenbloom. Later Monogram very nearly hit the big time with Dillinger, a King Brothers Productions sensationalized crime drama that was a runaway success in 1. It received Monogram's first Academy Award nomination, for Best Original Screenplay. Monogram tried to follow Dillinger immediately (with several . Studios usually avoided putting their own names on their television subsidiaries, fearing adverse reaction from their movie- theater customers. Monogram followed suit, christening its TV arm as Interstate Television Corporation. Interstate's biggest success was the Little Rascals series (formerly Hal Roach's . In later years Interstate TV became Allied Artists Television. Allied Artists' television library was sold to Lorimar's TV production and distribution arms in 1. Lorimar was acquired by Warner Bros. Television, which now controls the library. Filmography. United States Patent and Trademark Office. Retrieved 1. 9 November 2. Lost illusions: American cinema in the shadow of Watergate and .., Volume 9. United States Patent and Trademark Office. Retrieved 1. 9 September 2. Retrieved 1. 9 September 2. Retrieved April 6, 2. Retrieved 8 September 2.
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